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Loryvoice
About

The localization tax ends here.

350 million people speak languages the big dubbing platforms don’t prioritize. Their courses arrive subtitled, their ads arrive in the wrong language, their money gets treated as an afterthought. We built Loryvoice to end that: human-quality dubbing in the original speaker’s own voice, priced per finished minute in €.

The problem

Studio dubbing prices most of the world out.

The localization tax is a rate card and a calendar, and together they decide which languages get a voice at all. If your buyers speak a language the studios treat as an afterthought, you pay the tax twice: once in euros, once in weeks.

Four figures a language

Studio dubbing is priced per finished minute, and the rate is high enough that a one-hour course runs into four figures for one language and five across a language list — before revisions, before retakes, before the line the client changes on Friday. The invoice alone decides which languages exist.

Weeks per language

Casting calls, studio sessions, retakes, mixing, then start over for the next market. The studio calendar is the real product, and your launch waits at the end of it. Every additional language restarts the whole clock.

Enterprise-only in practice

At that price and pace, dubbing belongs to the world's biggest catalogues. Everyone else publishes in one language and stops there, and the 350 million people on the wrong side of the rate card get subtitles, if that.

Our approach

Principles, not a feature list.

Natural, human-quality voice

A dub has to carry what the speaker actually did: the pacing, the emphasis, the half-second pause before the punchline. Flatten that into a generic text-to-speech read and you haven't localized the video. You've deleted the performance.

Per-minute pricing, in €

Plans priced in finished minutes, in €. You know your number before you upload, and the math on language five looks exactly like the math on language one. No credits to reverse-engineer, and no quote that lands after you've signed.

Consent receipts as the baseline

A voice belongs to its owner, so cloning one starts with a signature, not a checkbox. Every render carries a signed consent receipt naming the cleared speaker, and when the agreement ends, the cloning ends. Included on every plan, never an upsell. Legal gets a file to keep, not a paragraph to trust.

How we work

Decide, ship, own it.

We keep the structure flat and the loop short. The person closest to the problem makes the call, and the call sticks: no committees, no approval chains, no meeting to schedule the meeting. If you shipped it, you own it: the quality bar, the follow-through, the fix.

That pace is a product requirement, not a culture slide. We sell speed against an industry that moves in casting schedules: renders come back in hours, so decisions can’t take weeks. Days, not weeks, on every call we make. A company that dubs in hours can’t afford to deliberate like a studio.

Trust

Trust, in plain terms.

Loryvoice is EU-hosted by default: masters, generated voice tracks, consent receipts. Every render ships with a signed consent receipt naming the cleared speaker, on every plan, never as an upsell. And we won’t ask you to take a comparison table on faith: claims in this market change fast, so verify them per vendor, ours included. The free 10-minute pilot exists for exactly that.